Natural "Double Rainbow" Moments

This year, more than ever before, viral video sharing has become easier than ever. Find a funny video on YouTube, and you can send it out to all of your contacts in one easy step by clicking the 'share' button and sending it to all of your Facebook friends. My friends and I are constantly sharing stupid videos we come across, eager to discover the next hilarious sensation that will become the butt of inside jokes for years to come.

Looking back on my 'favorites' list on YouTube, my favorite viral video this year--hands down--has been the "Double Rainbow Guy."

[youtube=http://www.youtube.com/watch?v=OQSNhk5ICTI&fs=1&hl=en_US&color1=0x234900&color2=0x4e9e00]

If you're like nearly 23 million other internet users, you have seen this video. You have probably had heated debates on whether he's just very in tune with Mother Nature, or if he's stoned out of his mind, and what exactly is happening off-camera. (Note: supposedly he's sober in this video, but he's no stranger to cannabis.)

But no matter if his enthusiasm is a result of massive amounts of THC in his system, or the colors of the rainbow permeating his soul, it's refreshing to see someone have that much joy out of something as basic as a collision between water molecules and sunlight.

Take a second and think about it: when was the last time you were that excited about something?

Real-Life "Double Rainbow" Moments

Since discovering this video, my friends and I will peg amazing experiences as 'double rainbow' moments.

They may not happen too often, but when they do, they're hard not to share ("Oh my God, I totally just had a double rainbow moment yesterday!")

My last 'double rainbow' moment happened on the day after Christmas. Having probably consumed half my weight in chocolate and gluten-free baked goods over the holidays, I was feeling particularly slovenly the morning after Christmas.

I decided to break out my running shoes, put together a motivational playlist on my iPod, take advantage of the unusually sunny December day, and hit the pavement.

"Flash A Hungry Smile" by Mystery Jets was the first song that came up.

[youtube=http://www.youtube.com/watch?v=AuzqD_ymV60&fs=1&hl=en_US&color1=0xe1600f&color2=0xfebd01]

Just as the twinkling, chiming opening started, the clouds simultaneously cleared from the sun. Beams of sunlight shone down upon me and, for less than 5 seconds, it felt like the most perfect moment. I found my pace matching the tempo of the song, which motivated me to keep going.

I may not have shouted out "Oh my God, OH MY GOD!" like the Double Rainbow guy, but the moment was not wasted. Something so simple, so quick, and yet completely memorable.

Here's to more natural 'Double Rainbow' moments for 2011! What are some of your 'Double Rainbow' moments? Leave a comment below! Best moment will win a special (to be determined) prize :)

MidiMidis and Delays @ The Relentless Garage, 6.10.10

[youtube=http://www.youtube.com/watch?v=MiAxiGZKpGQ&fs=1&hl=en_US&color1=0x5d1719&color2=0xcd311b] Remember this tune? For anyone who grew up in the 90s, hearing the familiar, bleepy "doo doo dooos" can instantly transport you back to the days of playing Nintendo, watching Saturday morning cartoons, and swilling hefty portions of sugary, crack-like Kool-Aid through crazy straws.

For up-and-coming act, MidiMidis, mixing nostalgia with crazy electro rock is their name of the game. Their music is entirely composed of 8-bit and midi melodies. Imagine a British version of Julian Casablancas stroking himself with a Duck Hunt gun while watching "Tron", and you'll have some sense of what MidiMidis sound like. Or, y'know, you can just listen on their Myspace page.

The band were opening for Delays at the intimate Relentless Garage in London. An odd combination of bands, but they seemed ready to take on the challenge by performing with raw enthusiasm and fervor.

But despite giving an energetic performance, complete with brilliantly garish stage lights, the crowd was only mildly receptive. Perhaps they'd be more suited to opening for a band like Klaxons or Late of the Pier, rather than Delays.

Although, oddly enough, their performance seemed to have a Viagra-like effect on an older couple standing next to me, inspiring the man to gratuitously squeeze the bottom of his partner while she listened on to the bleepy, shouty spectacle going on in front of her.

Bottom line? MidiMidis are the perfect soundtrack for either your next crazy electro-rock warehouse party, or for people in their 'frisky fifties.'

Delays: Still Rockin' After All These Years

Six years is a long time to wait to see one of your favorite bands in concert again. The last time I saw Delays, I was just starting my first semester at USF. So naive, so innocent (but still with a kick-ass taste in music).

They've released three albums since then, including the recently released "Star Tiger Star Ariel." And judging by the crowd at the Relentless Garage, they've managed to maintain a strong fan base of hardcore followers.

The venue was packed with their most dedicated fans; the fans that can sing along to every single word whilst fist-pumping and pogoing up and down to every song.

Musically, they've come a long way since releasing "Faded Seaside Glamour," but they've retained the same freshness and exuberance in their live performance. And, somehow, they don't seem to have aged at all in the last six years. I'd like to know their secret!

Perhaps it's the same source of magic that gives lead singer Greg Gilbert his androgynously siren-like vocals, as he wails along to the lush, ethereal melodies and beats of the rest of the band.

Like the veelas had the power to hypnotize unsuspecting men in "Harry Potter and the Goblet of Fire" with their song, Greg managed to get even the toughest-looking men in the venue to jump around like hooligans at a football match.

The band played a good mixture of songs from all of their albums, including "Long Time Coming", "Cavalry", and "Valentine." As the songs continued, hands shot up into the air like some type of religious spectacle at one of those weird churches in a tent, where people speak in tongues and pass out from the power of Christ.

Luckily, no one passed out here. The band expertly knew how to command the stage and get the audience going. It's obvious that Delays are a band that have been doing this for awhile, without the awkward or nervous onstage moments. Greg, Aaron, Colin, and Rowly all play with a noticeable confident attitude, somehow managing to simultaneously engage the crowd and blow them away at the same time.

And the crowd wouldn't let them get away without an encore, enticing the band to come back onstage by clapping in time and continuing the melodic "Oooohs" that Greg left off with.

Bottom line? Like Super Mario Bros, Delays are still just as amazing (if not better) after all these years!

The Futureheads: Live at Pure Groove Records in London

"Ok, this next song is going to sound very Russian, and when we start it will become very clear why," explains Barry Hyde, with the same mischievous grin as The Grinch when he's slinking around Whoville, stealing all of the Christmas decorations. The lead singer of The Futureheads has successfully captured the attention of the crowd packed into the tiny Pure Groove Records shop and cafe. It's a quiet Thursday afternoon in London, and a mixture of students and young, suited professionals on their lunch breaks are gathered to catch a rare, free acoustic performance of the normally raucous Sunderland-based indie rock quartet.

As the group launches into "Struck Dumb" from their newest album, The Chaos, which was released in the UK on April 26th, the Russian reference becomes very clear indeed. Without the aid of electric guitars, band members Ross Millard and David 'Jaff' Craig harmonise "ra da-da!" sounds--making sure to heavily roll the R's--and occasionally display Russian-inspired dance moves, alternately squatting and popping back up with flailing leg kicks and arm thrusts. The only thing missing from the scene is black, furry hats and shiny, red voluminous trousers.

Hyde joins in by singing, "Misery, is a little line, of a little dash, it's a subtraction sign." Meanwhile, drummer Dave Hyde sits off to the side, providing a rhythmic beat without the aid of a drum kit.

With influences ranging from new wave and post-punk greats like Fugazi, XTC, Devo, and Gang Of Four, The Futureheads normally perform upbeat-yet-aggressive sets that often result in moshing, crowd-surfing, and pogo dancing. But despite not having the usual array of electric instruments, amplifiers, smoke machines, and brilliantly-coloured stage lights, their performance doesn't feel any less exciting.

The Chaos Here, the excitement comes from admiring the power of their voices and poetic lyrics, like "Every time I listen to my heart/It's like a cartwheel in my head but my legs are made of lead" from "Heartbeat Song." This is The Futureheads stripped down to their rawest elements.

And, today, those elements consist of one part concert, one part variety show--the band members seem to be in a jovial mood, joking around with each other and encouraging crowd interaction. It's not every day that a band turns one of their songs ("Hounds Of Love", from 2004's self-titled debut album, in this case) into an audience participation game. Millard's side of the crowd has been instructed to sing the "OH oh-oh"s, while Craig's side of the crowd has the dueling "oh-OH!" melody.

It's here where it becomes clear that this isn't your ordinary British indie rock band, with generic melodies and a pretentious attitude--the band's vocals alone intertwine in perfect harmony, almost like a throwback to a-Capella barbershop quartets from the turn of the 20th century.

Although the audience members may not possess the same level of vocal talent as the band, hearing the entire shop singing along to "Hounds Of Love" is a testament to the band's showmanship. Moments like this make you remember why you bother going to shows in the first place. It's easy to sit back and listen to an album on the bus, while working, or at a club, but without the smoke and mirrors of studio productions, some bands just can't cut it live.

But whether they're playing an intimate acoustic set, or performing at Europe's largest festivals, The Futureheads have consistently proven that they can do more than cut it live--especially with the occasional, impromptu kalinka dance moves.

Interview With Craig Monk: From The Voom Blooms to the Defector's Weld

Two years ago, I interviewed a British band called The Voom Blooms for our music/culture show, "Visionz", on USFtv. I recently caught up with Craig, former guitarist/keyboardist, as part of an interview for my Arts and Entertainment Reporting class, to discuss what he's been up to since the band split up last year. Check out our episode of "Visionz" below, and the interview with Craig! [youtube=http://www.youtube.com/watch?v=yuGpOtIqtHw&hl=en_US&fs=1&color1=0x402061&color2=0x9461ca]

With his tight black shirt, even tighter black trousers, and a shaggy mop of dark brown hair, 27-year old Craig Monk looks ready to strap on his guitar and step out onstage to a mass of adoring fans.

But it’s not the stage of the Royal Albert Hall he’s stepping onto, and there are no swarms of fans screaming his name. It’s the Defector’s Weld pub in Shepherd’s Bush, a pub he’s been managing since his former band, The Voom Blooms, split up nearly one year ago.

It’s a quiet afternoon at the Weld, with just a few people scattered around the heavy wooden tables, enjoying pints of lager and seeking shelter from the drizzly London weather. Mellow jazz music permeates through the air, blending together with the murmurings of deep conversations.

As he sits down with a fresh pint of Guinness in hand, Monk seems relaxed, despite this being his first interview in almost one year. Since 2005, he played guitar and keyboards for The Voom Blooms, a Loughborough-based indie rock band.

But after four years of living the rock star lifestyle, the band decided to split. “We were like a unit, a family, but it got to a point where we had enough and were tired of being poor,” explains Monk. “But I still have great memories from being in the band,” he recalls with a nostalgic grin.

Blooming Blossoms The Voom Blooms started gaining momentum in the summer of 2006, after getting over 12,000 fans on Myspace in just a couple of months. After recording their first single, ‘Politics & Cigarettes’, they spent many late nights adding friends on Myspace. “But that was back when Myspace counted for something,” explains Monk.

Their persistence paid off, though, garnering the attention of BBC Radio 1’s Steve Lamacq, who played their single on his show. A week later, after receiving a phone call from Babyshamble’s manager—who had heard their single on Lamacq’s show—The Voom Blooms went on their first tour and signed a one single deal with Fiction Records, a subsidiary of Universal Music Group.

However, industry politics proved to be difficult for the band. “When our second single ‘Anna’ was released, our former manager decided that we needed a hook in order to get press. He came up with this story about me and George [lead singer] being secretly gay, and missing a gig in London because we were arrested in Paris after getting too drunk. We basically said, ‘Fuck off’, and so we didn’t get a story,” he recalls with a sense of disdain.

“Pressure comes from the top down. The record labels want a certain image, one that will sell. They try to tell you what to do and if you say no, they drop you,” he continues. “It got to a point where it stopped being fun.”

A New Label Eventually the band moved to an independent label, managed by Brandy Provenzano. Under new management, they were received better in the U.S. than they were in the U.K.—even gaining a residency at Hollywood’s infamous Viper Room.

“I think the U.S. is more open to different genres of music, and the people are friendlier,” explains Monk. “I remember playing one gig at Neumo’s [in Seattle], and I didn’t have the right converter for my plug. The bouncer drove all the way to his house to pick one up for me!” he reminisces in amazement.

“You don’t get that in the U.K.” Despite finding success—and friendliness--in the U.S, the combination of exhaustion and outside obligations led to The Voom Bloom’s split (“But we’re all still good friends”).

Although he didn’t pick up a guitar for six months after the band split up, music is still an integral part of Monk’s life. All of his staff members are in bands (“We have seven drummers, and we even have a drum kit in our basement!”), and The Defector’s Weld often hosts after-parties for his friend’s bands. So will he ever get back into playing music?

Finishing off his pint of Guinness, he replies, “Music is like a drug; of course I’d like to get back into it. But if I do, I’d just like to quietly release something, and not have to market it.” You can take away the tour buses, sound checks, and recording sessions, but Monk’s passion for music remains as strong as ever—band or no band.

Passing Clouds documentary

Friends, Family, and other readers of 'The London Scene': you may have noticed that I still haven't posted anything in ages, but there are two very distinct reasons why: 1. Since my laptop broke, I've barely been online. My replacement laptop came in about a week ago, but it's painfully slow, making me avoid computer usage unless absolutely essential. Instead, my nights have consisted of intense "Lost" and "Queer As Folk" marathons. 2. We've been working really hard over the past 6 weeks on our documentary for one of my courses here at Westminster University. Many hours spent filming, scripting, and editing. Far too many. But, it's been worth it because we're finally done!

The documentary is called "Passing Clouds", and it's about an alternative arts club--hidden in a back alley in East London--with the same name. In a nutshell:

"Fed up with present-day commercialism, a group of people from different countries gather to build what they believe is a better way of living. They created a place called Passing Clouds, in London, to introduce a more communal and responsible lifestyle."

And you can watch the documentary here:

[youtube=http://www.youtube.com/watch?v=Wp35ZCoYwMo&hl=en_US&fs=1&color1=0xe1600f&color2=0xfebd01]

In terms of production, there were three of us working on it. I initially found out about this place from a blurb on Time Out. After making contact with the organizers, we filmed over a period of three days.

I did a lot of the camera work, as well as editing (though we all took turns with different tasks, and worked together closely to produce this final version).

This was the first documentary I've worked on since the Nicaragua one ("Mano Por Mano") that I produced for USF in 2008. I forgot how much work goes into such a little amount of time, but I love doing it.

So what are your thoughts on the documentary? Would you visit a place like Passing Clouds? Do you agree with their way of life? Do you think it's better to live a more communal, rather than individually-minded, lifestyle?

Leave comments with your thoughts!

Christmas Crooning: Top 5 Indie Christmas Songs

Alongside dodging crowds of shoppers at the mall, and elderly family member's long-winded, eggnog-induced stories, one of the most traditional aspects of Christmas is the music. Sure, we have the traditional Christmas songs that have been around since the early 20th century. We have the songs that you'll hear on every radio station, at every party, and in every shop in the days leading up to Christmas.

I have to admit, I have a soft spot in my heart for Christmas music. Maybe it's because I never worked in the retail sector, and never had to endure the same songs on loop for hours on end.

Or maybe it's the copious amounts of Who Hash.

Whatever the reason, I can't help but get the warm fuzzies when I hear something like Nat King Cole's rendition of "The Christmas Song."

Or when I watch the deliciously cheesy music video of "Jingle Bell Rock", by everyone's favorite half-mustachioed duo, Hall and Oates: [youtube=http://www.youtube.com/watch?v=YQXMT_QhguI&hl=en_GB&fs=1&color1=0x5d1719&color2=0xcd311b]

Over-the-top grins, gleeful head-bopping, and Santa popping out of thin air like magic?? Oh yes, Hall and Oates have the ability to make even the Grinchiest of hearts grow thrice its size!

A Very Indie Christmas

In recent years, it's become common for indie bands to cover classic Christmas carols, or to even put out their own original Christmas songs.

The following are my top 5 'Indie Christmas Songs.' Some have been around for awhile, and some have just been released this year.

5. allo, darlin'-Baby, It's Cold Outside

Originally written in 1944 by Frank Loesser, this song has become a pop standard duet that has been sung by, well, just about everyone.

One of my favorite versions of this song is from the movie "Elf", when Zooey Deschanel's character sings it with Will Ferrell's goofy Elf character. [youtube=http://www.youtube.com/watch?v=bp3UoqOkFJo&hl=en_GB&fs=1&color1=0x5d1719&color2=0xcd311b]

This version by British artist Elizabeth Morris, a.k.a allo, darlin', was done in 2008. It's very lo-fi, and is noticeably missing the male part of the duet. However, this stripped-down rendition is still subtly beautiful in its own right.

Scroll down about halfway down the page, and you can listen to it here.

4. The Raveonettes-The Christmas Song

It may share the same title as the aforementioned Nat King Cole tune, but the similarities end there.

Although the Danish duo released this song a few years ago, like the most overly rum-soaked fruitcake, it's still just as fresh today.

They take aspects of 50s/60s, Phil Spector-esque music, and put a darker twist on it. Listen here.

And if that tickles your tinsel, you might also enjoy their cover of "Christmas (Baby Please Come Home)."

3. Coldplay-Have Yourself A Merry Little Christmas

Although I've never been a huge fan of Coldplay, there are certain songs of theirs that I can't help but love.

This cover of "Have Yourself A Merry Little Christmas" is one of those songs.

It's very simple, with just a piano accompaniment to Chris Martin's vocals, but it's emotional and sweet nonetheless.

2. Julian Casablancas-I Wish It Was Christmas Today

Lead singer of one of my favorite bands of all time, The Strokes, Julian Casablancas released a solo album this year: Phrazes For The Young.

Alongside putting out his own album, he decided to cover this comedic Christmas song from Saturday Night Live, a famous sketch show from the U.S.

The song was originally performed as part of a Christmas skit by Jimmy Fallon, Horatio Sanz, Chris Kataan, and Tracy Morgan. In the original skit, the comedic value lies in the intentionally silly lyrics, and out-of-tune singing. However, Casablancas manages to put a cool and sultry spin on it, that oozes his New York attitude.

Here is Julian's version, and here is the original, for comparison.

1. Jomel-Untitled Christmas Song, 2009

Today, I logged onto Facebook to find a notification that I had been tagged in a video.

Curious, I clicked 'play' and found that it was an impromptu song by one of my best friends, Jomel, written and performed in the middle of the night on Christmas Eve.

The song is filled with inside jokes, over a background of acoustic guitar playing. It definitely put a huge smile on my face when I watched it!

I have to say, there is no better Christmas present than something that comes from the heart; something unique and not mass-produced.

And that's exactly why this is my number 1 indie Christmas tune of 2009!

What are your favorite Christmas songs of this year? Leave a comment with your top tunes, the reasons why, and links!

Merry Christmas to all!

Good Shoes at ULU

Somehow I’ve developed a habit of taking people to their first concerts in foreign countries. Back in San Francisco, I remember taking a Japanese friend to see Late of the Pier and The Whip. I also took a Mexican friend to see Spinto Band.

Now, in London, I took two of my classmates (Richa, from India, and Junjie, from China) to their first concert in the UK: Good Shoes, at ULU.

Music is something that can be enjoyed by anyone around the world, no matter where you come from.

It’s one of those things that spans every different type of culture. You don’t even have to understand the language to appreciate music. It’s more about the feelings that are evoked when you hear music.

Since music is such a big part of my life, I was happy to be able to share this concert experience with my new friends.

Thanks to TFL’s weekend ‘upgrades’, we had to take the long way to get to central London, and ended up missing the opening bands.

We did make it in time for Good Shoes, luckily. Good Shoes are a band that I’ve been a fan of for a number of years, but never had the chance to see them in concert.

They’re from London, and they have never toured in San Francisco. Because of this, I was especially excited to finally get to see them.

At concerts, it is not uncommon for audience members to take pictures of the band during the show. You can’t go to a concert today without seeing people pull out their digital cameras or cell phones, trying to capture every moment.

In an unusual role reversal, the lead singer of Good Shoes came out and decided to take pictures of us, the audience.

It felt weird to be on the other side of the lens, but it was nice to see that even band members enjoy capturing these moments.

A ROWDY CROWD

I don’t know if it was the median age of the crowd (perhaps 17 years old), or the amount of beer being consumed, but the audience was particularly raucous for this show.

We started out in the middle, near the stage—for the first song, anyway. Then, the moshing started.

I usually associate moshing with more hardcore punk shows, and not with a band like Good Shoes. I’d like to think that, at least for a short while, we put up a good effort to keep up with the crowd.

However, we eventually got pushed out to the side, on the outskirts of the pit.

Despite the rowdy crowd, the show was a lot of fun. The band exuded energy and excitement, and played a good mix of old and new songs.

More than anything, it was nice to be able to share this experience with my new friends.

Music is a great way to connect with people, and I hope to continue to explore and share London’s music scene with anyone who wants to take part!

Hyde Park Winter Wonderland

In the middle of London’s serene Hyde Park, there now lies a Christmas-lover’s paradise. Loosely modeled after some of Germany’s Christmas markets, Hyde Park’s Winter Wonderland is the place to go for a healthy dosage of Christmas cheer. As you enter through the gates, you are instantly transported into what looks like a scene from a Christmas card.

Hundreds of colorful lights twinkle cheerfully along to familiar Christmas songs.

Plastic statues of reindeer, snowmen, elves, and Santa Clauses, are dotted along the walkways, just waiting to be photographed next to.

Couples are twirling around gracefully on an ice skating rink, while little kids are awkwardly trying to find their balance.

There are dozens of carnival rides, emitting equal sounds of laughter and screams of terror from its riders.

Sizzling German sausages, chips, and mulled wine perfume the crisp night air.

All of the ingredients are there for a fun and festive night out in London. FESTIVE MOMENTS

Although the air was freezing cold, my friends and I were anxious to take advantage of everything that the Winter Wonderland had to offer.

We started out by riding the Sleigh Ride roller coaster, a suspended coaster that had its fair share of twists, turns, and drops. The most entertaining part of the ride, however, was the screaming that came out of my friend Luis’s mouth, and the laughter that followed.

Next up was a spinning car ride with my friend Jasen. The two of us sat side by side, laughing at the fake smoke and the German techno music being played by a man named ‘DJ Irene.’

The cars spin faster and faster, and the force of gravity slammed us together a number of times. At least I made the strategic choice of sitting on the inside, so that I wasn’t the one being slammed into (sorry, Jasen!)

Those rides can take a lot out of you, so we decided to fuel ourselves with some German-style food. I was glad that we chose to eat after going on those rides, and not before…

While eating, we watched a lederhosen-clad band playing cover songs rather terribly, but it was still fun to watch.

Overall, the Winter Wonderland was a fun way to get into the Christmas spirit. The best part, though, was being able to enjoy it all with a good group of friends!

CeU: Brazilian Flavor in London

Although I love many different genres of music, I have a tendency to go to concerts that are more on the indie/rock/punk side of the music spectrum. A Brazilian friend of mine, who was visiting family members in London, had an extra ticket to see a Brazilian singer-songwriter known as CeU. He invited me to go with them, so I took him up on his offer.

I don't have a wide knowledge of Brazilian music, but I've always enjoyed what I've heard. When I was working full-time, I used to listen to the Brazilian station on Pandora.

The soothing, yet upbeat, bossanova-inspired tunes had the nearly-magical ability to keep stress levels to a minimum.

Not having heard CeU before, I had no expectations on what the concert would be like. All I knew was that she was a female musician, and that she's fairly famous in Brazil.

CeU Is Pronounced "Cow"

Reading her name, I assumed that it was pronounced as "Soo." At the concert, I learned otherwise.

I also learned that she's an incredibly talented singer. Her voice has a warm quality to it, a tone similar to listening to an album on vinyl, versus a scratchy mp3 copy.

Her stage presence is confident, and she exudes a natural cool cat quality, shimmying sinuously to the seductive music.

Most of her songs are in Portuguese, the national language of Brazil. However, she did perform a song in English. It was a cover of the 1950s song, "Takes Two To Tango."

[youtube=http://www.youtube.com/watch?v=7LuTZ5rNhDQ&hl=en_US&fs=1&color1=0x234900&color2=0x4e9e00&border=1]

This video was not from the London show, but you get the gist.

I'm happy that I ended up going to this concert, as it turned out to be a great show! It seemed as if half the Brazilian population of London was in attendance, so there was a distinct Brazilian flair to ULU, the venue of choice.

I may not understand Portuguese, but the music was enjoyable nonetheless. Not only that, but it was refreshing to see a female artist command a crowd with such confidence.

To listen to more of this 'tropilectro' artist, check out her website.